Saturday, February 12, 2011

Broadway’s Award-Winning Best Musical comes to Rochester’s Auditorium Theater

Disney's "The Lion King"
The traveling cast of Disney's "The Lion King", winner of more that 70 awards worldwide, will be coming to Rochester, New York this coming Spring.  Awards Disney's "The Lion King" have won include Tony Award® for Best Musical and the Grammy® for Best Musical Show Album The performance will be at the Auditorium Theatre owned and operated by the Rochester Broadway Theatre League.  Opening night is March 22 and closes on April 17.  So there are plenty of opportunities to see a once in a lifetime performance.  



Disney’s “The Lion King” is based on the life of a young lion prince, Simba who runs away from home after his uncle, Scar, convinces him that he is the cause of his father’s death. Animal characters are brought to life by unique costumes that combine body paint, masks that look like animals, giant stilts, and puppets that are moved by actors positioned behind them. 

Newsweek has deemed “The Lion King” a “landmark event in entertainment” which will include hit songs from Elton John and Tim Rice such as “Can You Feel the Love Tonight?” and “Circle of Life.”  

Disney’s “The Lion King” is presented by the 2010 – 2011 M&T Bank Broadway Season.  


Times and dates are as follows:
3/22 – 7:30pm

3/23 – 7:30pm
3/24 – 7:30pm
3/25 – 8:00pm
3/26 – 2:00pm & 8:00pm
3/27 – 2:00pm & 6:30pm
3/29 – 7:30pm
3/30 – 7:30pm
3/31 – 7:30pm
4/1 – 8:00pm
4/2 – 2:00pm & 8:00pm 
4/3 – 2:00pm & 6:30pm
4/5 – 7:30pm
4/6 – 7:30pm
4/7 – 7:30pm
4/8 – 8:00pm
4/9 – 2:00pm & 8:00pm
4/10 – 2:00pm & 6:30pm
4/12 – 7:30pm
4/13 – 7:30pm
4/14 – 1:00pm & 7:30pm
4/15 – 8:00pm
4/16 – 2:00pm & 8:00pm
4/17 – 1:00pm & 6:30pm


Prices are relatively inexpensive beginning at  $22.50 continuing until $132.50. To buy your tickets to one of Broadway's best go to ticketmaster.

Rochester Broadway Theatre League Logo
Links:


Sunday, January 16, 2011

Directing

An essential part of any production is the director.  The director gives the play or musicals a direction to head into whether it be the writer's vision or not.  The director's vision shapes the play, gives it meaning and gives the actors something to grow and learn from.  Directing may look easy to a lot of people but it requires a lot of creativity and hard work.

The director does much more than simply cast and direct the actors in the play.  They have production meetings with many different people such as the lighting director, stage manager, set crew,  and many more so that the overall feel of the production is coherent and consistent.

There are also many different types of directors, some are very spontaneous and will add and subtract things all throughout the show while others are more organized and direct.  Many follow the organized route because directing is strenuous as it is.  According to Jeanne Sanner there are ten steps to directing a play:


1.  Know the play
2.  Design the set
3.  Design the blocking
4.  Establish rehearsal schedule
5.  Establish support team/assign tasks clearly
6.  Create audition information packet
7.  Cast the show
8.  Establish a professional attitude through example - RESPECT
9.  Have reasonable, consistent expectations and maintain them for everyone
10.  Put things in perspective - Share a lot of love and have a lot of fun
But then again that is only one professional director's opinion.  For instance a lot of directors who do performances with college level actors establish the rehearsal schedule after the show has been cast.  Each situation is different in directing which calls for different and specific needs.
For more information on directing go to this link: Directing

Wednesday, January 12, 2011

Geva

Geva Theatre has been a major player in the Rochester community for the past 39 years.  It gives many opportunities to watch (and sometimes even perform in) classics, musicals, comedies and dramas. Geva Theatre has the privilege to claim to being New York State's most attended theatre outside of Manhattan, New York. Geva Theatre also boasts that it has a little something for everyone.


Geva theatre has 6 upcoming shows within the next month. 


I'll Be Geneseeing You Cast
I'll be Geneseeing You - Chicago's Second City wrote a show specifically for Geva and Rochester.  This show is based on local icons, current news and gossip, and history though the comedians point of view.  There is also a chance to be a part of the performance!


Second Time Around - A musical reunion put together by the Upstairs Youth Agency (city teen church group) featuring selections from musicals the group wrote 35 years ago.


Geva Comedy Improv Season 8 - Improv comedy group.


In the Hornets' Nest: Nickel and Dimed - A drama recommended for high school ages and older. This play tells the tale a person going through a rough time, working two jobs at minimum wage and takes on a third.


Separation - This production benefits Epilepsy Association of Rochester.  A Middle aged and overweight British playwright isn't able to write after a play caused an actress to spend her life in a wheelchair.


Over the Tavern - A couple tries to raise their four teenagers at the end of the Eisenhower era.  The play focuses on the writer's Buffalo childhood.




Geva Theatre Location
To Purchase tickets:

Box Office

Phone: (585) 232-GEVA (4382)sfd
Email: boxoffice@gevatheatre.org
Subscriber Services: (585) 232-1366, ext 3071
Email: vip@gevatheatre.org
Group Sales: (585) 232-1366, ext 3057
Location:
Ground Floor Lobby
75 Woodbury Blvd.
Rochester, NY 14607
Hours:
Monday: Closed
Tuesday - Friday: Noon - 8:00 PM
Saturday: Noon - 8:30 PM
Sunday: Noon – 7 PM

Sunday, December 19, 2010

Reds, Greens, and Blues

Stage Lights.  They can make or break the mood of any play or musical.  When you go to watch a show and it's a night scene, the stage is dark, yet has enough light to see.  The lighting is what creates unity and harmony within the play and like most other things, requires balance on the stage.  Due to the technical difficulties of a show, a lighting director is needed, preferably one who has worked with a lighting board previously.

Lighting boards can vary in size, complexity, control and effects.  Many standard lighting boards are manual but we are moving towards a more computerized lighting board which demands that the lighting director and lighting crew have training in specific computer programs dealing with lighting.

A lighting director takes into account the space, the director's vision, the script and the actors.  Each play requires different lighting and different lighting techniques for effect, however, each space the play or musical will not be designed or have the capabilities the show requires.  The lighting director also must know about basics about manipulating light to do what the play requires.

Now for some lighting background.  The primary colors of light are red, green, and blue. This differs from print colors and colors because print primary colors are cyan, magenta and yellow while primary colors are red, blue and yellow.  Mixing the primary colors of any of the three basic types will give you different colors. For light, the primary colors will give you white light and mixing print primary colors will give you black.

Lighting is an essential part of productions.  Without it and lighting directors fulfilling the directors dream for the show, show would not have the same impact or feel on its audience.

Sunday, December 12, 2010

Musicals made Movies

While I was trying to think of a theatre topic to pick for this week's blog I was cleaning my room listening to Pandora Radio (under the radio station of "Glee Cast: Holiday") and the original cast of "Rent" came on singing "Seasons of Love."  As a Broadway buff, I began comparing the original cast and stage production of "Rent" to the movie and movie production of "Rent" which caused me to think of the many other musicals put to the silver screen.

DVD of Rent, the Musical Movie
Musicals on film date all the way back to the 1920's, when film was first developed.  "The Jazz Singer" released by Warner Brothers Studios was actually the first feature film that was also a musical, so musicals taken from the stage and put to film is no new concept.  Throughout the decades, there have been many Broadway stars and productions that have become overwhelmingly popular due to film.  Many who would not have been able to see a Broadway production were introduced stars such as Ginger Rogers, Fred Astaire, Julie Andrews, Matthew Broderick and John Travolta.  As well as popular stars today bringing attention back to Broadway such as Daniel Radcliffe in "Equus", Julia Roberts in "Three Days of Rain" and Antonio Bandaras in "Nine".  Some recent musicals that have been brought to film have been "Rent", "Chicago", "Hairspray", re-releases of classics such as "Oklahoma!", "Sound Of Music", and "State Fair."

Entire Original Cast of Rent
Due to the extreme differences of stage and film, musicals and plays have a different style and feel when placed on these two different media.  Let's take the musical made movie "Rent" (because I have seen it on Broadway and because I have watched it recently!).  The original production was released in 1991 and was written by Jonathan Larson based on the opera "La Boheme" by Giacomo Puccini.  The film was released in 1995 and was directed by Chris Columbus.  The biggest difference between the two is that the Broadway production is mostly sang with very few dialog while the film kept major songs, turned others to dialog and cut out the rest.  The movie however, did try to stick as close to the original production it could  by having most of the original cast members star in the film.  Another obvious difference the sets.  The Broadway production uses a set staged and changes the atmosphere by changing parts of stage or by the lighting changes, leaving a lot of the setting up to the audience imagination.  The movie was able to take it's audience to the setting of the director's vision for the film. It had a New York City set and ability to clearly show where the characters were interacting.  The setting and special effects of musicals to movies will always be significantly different due to film's ability to be easily altered or re-shot.

This was only one of the many musicals put to film and I encourage all of you to take your favorite movie-musical (admit it, there is at least one) and look deeper into it.  Try to see a stage production or find a stage production filmed version of it.

Other musicals you may be interested in:
Chicago
West Side Story
Hairspray
The Phantom of the Opera

Sunday, December 5, 2010

RIT Players

Welcome to the wonderful world of theatre! This new blog' sole purpose is to learn more about any type of theatre. Some posts will speak about specific musicals and plays while others will talk about different behind the scenes aspects such as lighting or the public relations work that goes into producing a show; just to give you a taste of what is to come.  In addition, if any of my readers have suggestions about what to write about I will gladly consider them!

RIT Players logo
For my first post, I would like to talk about a club that I am particularly involved in, the RIT Players.  For some quick background, the RIT Players, found in 1995, is completely student run. The RIT Players produce between 3 and 5 shows per academic year.  Like most technical schools, there is no theatre major at RIT or many opportunities to act.  Due to this, the RIT Players provides an outlet for students interested in any aspect of theatre.  

For instance, I am an actress in a lot of the shows the RIT Players produce but I am also the person who does the advertising and public relations for each upcoming show.  Another friend in the RIT Players is the props master as well as a stagehand.

The range of shows the RIT Players produce have included annual "24 Hour Shows", dramas such as "Stage Directions", modernized and traditional Shakespearean works such as "Much Ado About Nothing", comedies such as "Exit the King", musicals such as "Little Shop of Horrors" and even student written work.  The production for this current quarter will be "Exit the King" and will go up week 8 (February 4th - 6th).   

I encourage anyone interested in theatre and at RIT to check them out!  They meet every Tuesday at 8pm in the 1829 room of the SAU.  You can also reach them through Facebook, Twitter, and their website listed below.